Romans 12

Adagio for bassoon and piano by Bernhard Heiden (1910-2000)- German-American composer, faculty at Indiana University. A beautiful edition of this lyrical work taken from Heiden's 1949

Blades of Grass was inspired by the poem Grass by Carl Sandburg (1878-1967):

"Pile the bodies high at Austerliz and Waterloo, Shovel them under and let me work-I am the grass; I cover all.

The Divertimento for Bassoon and Piano is subtitled on the solo part "Four Pieces for Bassoon and Piano." Unfortunately the holograph does not bear a date, but the use of English for the title and

For Oboe and Piano, by Richard Crosby. This is a brief piece written in memory of an oboist and journalism student who was tragically killed in an automobile accident. Alycia Smith was a very talented

This piece should be played with straight eighth notes throughout and a fun, light feel. There are many chromatic passages to navigate, which should be fun to play at a quick but not too fast tempo. Make

By Daniel Baldwin. For Contrabassoon & Piano. Composer's Notes: Into the Deep was written for one of my closest friends, Matthew Morris. This is the third chamber work of mine featuring the

Landscape, a beautiful miniature for oboe and piano was published in one of the volumes of the Wa-Wan Press, a subscription magazine of compositions by American composers that Farwell produced for

These five compositions can be performed individually or as a set of five. From a technical standpoint, the pieces run the gamut from a difficulty level of intermediate to advanced. The musician is expected

Nicholson's compositional activity featured works for singers and wind instrumentalists-the latter works usually written for his colleagues in the LSO. The roster of dedicatees for these pieces reads as a

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal

Reverie Serene is a lullaby, inspired by an instance of a swaddled newborn trying to fight slumber. I took the instance and split it into three sections; the mobile, the parent's embrace, and the

This composition is of intermediate difficulty. There are only a few particulars in which the student/performer needs to pay strict attention. The tempi. Nothing drives a composer to the brink of mayhem

Romance is a piece that possesses a romantic, cinematic quality. And while it is quite tonal and melodic, its use of unusual chordal relationships brings to it a lushness and vibrancy that

For Bassoon and Piano, by Eugene Jancourt. Melodic work by the prolific bassoonist/composer/pedagogue Jancourt; great for introducing or strengthening familiarity with tenor clef as well as an effective

Short Pieces V1 for bassoon and piano, by Eugene Bourdeau (1850-1926)- French composer and bassoon pedagogue. Edited by Bruce Gbur

For Bassoon and Piano by Ulysses Kay. This one-movement piece was composed in 1941 while Kay was studying at Yale with Paul Hindemith. The Sonata for Bassoon and Piano has been unavailable for

This is just the second work expressly written for the contraforte. Spurred on by Kalevi Aho's Concerto and the artistry of Lewis Lipnick, a contrabassoonist with the National Symphony Orchestra.